Sunday, February 07, 2010

A Most Unsavory Episode of Non-Accountability in the Cambodian Context

Have been attempting to recover payment for work I performed for a group of NGOs here in Cambodia nearly 5 years ago; I've dropped them a line here and there over the years.

Their pattern is predictable: they rise to action briefly, then immediately focus on seeking ways to demonstrate they are not accountable. Often, they will blame each other as the responsible party. Then, their contact ceases, presumably hoping that the issue will "just go away".

They are well over 1500 days late in paying, yet, amazingly, they still insist that they need more time to clarify which of their groups is actually responsible for the hiring!


(The statute of limitations in Cambodia is 5 years, so there’s still time to let the hammer fall in a court of law, if that’s what this all must come to.)


The groups involved - CHRAC, LICADHO, and to some degree, EWMI, along with the consultant who hired me, Ms. Maria Victoria (aka, “Maia”) Diokno, have been exceptionally skillful in avoiding accountability for payment for IP which Camerado generated for them on a urgent basis, as per specific demands, back in 2005.


See selected materials related to this situation at the

Camerado Scribd account:

http://www.scribd.com/camerado

The main basis of their mutual argument for not paying is that we didn’t conclude a TOR (Terms of Reference - known as a "Deal Memo" in the private sector) as per their preferred specifications.


Nevertheless, there was a hiring agreement with written follow-up, which is the only essential requirement for any common private sector effort: this is a legally binding agreement (even a verbal agreement alone is contractually binding - just harder to prove in a court of law)


The lack of their desired TOR did not, ironically, prevent them from seeking additional changes and adjustments in the resulting work order, nor did it prevent them from accepting and utilizing the content which we created on a rush basis for their urgent human rights-oriented video project in development at the time.


My lawyer has correctly argued that the very basis upon which they are seeking to decline payment (lack of the preferred TOR) therefore renders them all the more responsible for providing due and rightful compensation for misappropriated IP (intellectual property).


That is, if they had no formal TOR as a hiring agreement to justify the IP which Camerado created, then that content remains the property of Camerado until ownership is actually transferred via formal contract.


However, since the IP was already used - unlawfully, due to lack of the very TOR which they insist is the barrier to their making due payment - then compensation must be due and forthcoming, since they have utilized (basically stolen) IP content which is not theirs.


Even so, the three groups, and the single consultant, want to have it both ways. The would like to utilize the lack of their preferred TOR format, but only insofar as it justifies their non-payment...while conveniently ignoring the fact that, as a result of not having a TOR which meets their specifications, the copyrighted material which they had ordered created (and utilized) therefore never actually belonged to them.


Possibly realizing their bind - yet stubbornly refusing to accept responsibility - they have over the years consistently retreated into the opaque realms of non-accountability which are abundant here in the Cambodian context.


Rather than agreeing to numerous requests to meet and sort out once and for all *who* was actually accountable for the hiring agreement, a constellation of excuses and blame-gaming gushed forth instead:


“Ask Naly, she was head of the steering committee...”

‘I was NOT on a steering committee – “

“Ask Maia, she’s the one who hired you...”

"As Mr. Balen notes in his letter, the issues raised relate to a matter between you and CHRAC, arising in 2005. EWMI was not a party to the relationship from which your claim arises" (EWMI Lawyer)

I went last week and hand delivered to the CHRAC offices a copy of a final demand letter, sent by email from my lawyer to Mr. Suon Sareth, secretariat of CHRAC.


Mr. Sareth continues to avoid accountability for this issue - refusing to answer phone calls, etc, claiming that "too much time has gone by" (not true - the statute of limitations in Cambodia is 5 years)


Anyway, I gave a copy of that email to a staffer ("Jeudi") at CHRAC, accompanied by my colleague Mr. Sambath, acting as witness:


“Who’s he?”

“My helper...here you go. I just want to make absolutely sure this is received”



Leaving CHRAC’s offices, I realized it would be useful to have Jeudi’s phone number.



“Hello Jeudi, we’d like to get your contact number please.”

“I’m sorry I can’t do that.”

“You’re refusing?”

“It’s not like that.”

“Well then, if you’re not refusing, please let us have your contact number.”

“I cannot.”

“Well...that's 'refusing'.”


My lawyer suspects that, one reason the accountable party/parties are not willing to come forth and make payment, is because there may have been an element of fraud involved with the original project. By making payment, they could be technically opening themselves up to a fiscal accounting process which would reveal some unethical, and perhaps, criminal, dimensions to their activities.


This would be interesting, given that many of the actors involved in this situation – including legal consultant Maia Dionko – are involved in crafting Cambodian legislation as a core occupational activity.


This particular instance of theft of IP and nonpayment for services is just one example of the disposition of a number of groups working in Cambodia, groups who are often self-tasked with the function of demanding accountability from the Cambodian government.


Yet, if organizations and consultants like these are unable, or even unwilling to be accountable for even the most modest transactional instance (my initial fee was a mere $300 back in 2005, which easily could have been taken care of), then how can they be expected to undertake other more serious tasks in the Cambodian context?


If, after 1500 days, they still "need more time" to determine who is actually responsible for paying for our minor services...how can they possibly manage to coordinate complex human rights projects here, with far more critical ramifactions for a very large number of Cambodian stakeholders?


It’s evident, therefore, that some groups and consultants who are operating in Cambodia are not primarily concerned with their impacts on the development process in Cambodia.


They are here first and foremost to make a living, with as little a tax-free trace as possible. They would therefore prefer to work in the shadows, away from the light of accountability that they themselves seek to command in the name of the missions they see fit to undertake.


Paradoxically, if their mission is related to holding local actors - such as the Cambodian government - accountable in any way, these same organizations tend to exhibit a profound arrogance when they themselves are asked to be held accountable by a third party.


Of course, not all organizations, NGOs or civil society groups behave this way. I'm only speaking from direct experience, in this instance solely regarding the behavior of CHRAC, LICADHO, and consultant Maia Dionko (*EWMI has at least been responsive and prompt in denying their responsibility, though until this is sorted out, who can say who is really responsible and who is just blaming who?)


All too often, the trend here in Cambodia is to stay under the radar, squirrel the money away, and not rock the boat. Dont' take a stand! Avoid accepting responsibility: shroud your accountability in a vague haze of group culpability.


Highlight the ways you are not responsible, rather than seeking a good faith, equitable way of dealing with situations.


I would therefore like to shine the light a little on this situation now, with the hopes that something constructive may ultimately result, if even only to set a public example of what may not constitute 'Good Practices'.


Of course this may rock the boat a little; it may even lead to my permanent 'banishment' from the NGO & development community indefinitely (if that hasn't happened already...)


Yet, I do believe in the mantra of accountability and transparency which is so oft-repeated here by development practitioners in Cambodia...so, herewith, I am thus obliged to present some selected documents which may be of interest:


http://www.scribd.com/camerado

Sunday, January 24, 2010

The CamboFest Story (Part 1)


The CamboFest Story (Part 1)




CAMBOFEST: Film and Video Festival of Cambodia Year 3 / 2009 Edition (http://www.cambofest.com / http:cambofest.blogspot.com), Cambodia’s first international independent movie festival - now entering its 4th year - took place on December 4-6 in Kampot, Cambodia.

This year's festival met or exceeded most achievement goals set from the previous editions: the all-digital throughput was the first of its kind for a festival environment in the region, and the festival attracted more international guests than previous years.

The 'Royal', Kampot, Cambodia (CamboFest Year 3 - 2009 Edition)

One additional met goal which was not originally anticipated, was the discovery and revival of the pre-Khmer rouge cinema house in Kampot, the ‘Royal’, on Cambodia’s South Coast, which had lain unused since 1988. This revival required the installation of a custom-made screen and power system, as both components were absent in the cinema house itself. Ambient light issues, from the mostly-destroyed roof, necessitated the use of a large venue projection system.

Significant ambient light issues necessitated a 7000+ lumens large venue projector loaned from the US Embassy in Phnom Penh

CamboFest staff (above) innovate to produce a film festival in the challenging LCD Cambodian environment; screenshot from '2001: a Space Odyssey' (fair use / for demonstration purposes)

One unfortunate aspect of CamboFest’s 3rd year event in Kampot, however, was the unprecedented level of interference originating from foreign expatriates (“Barangs”), who were determined to undermine the event.


Malevolent foreigners attempting to disrupt Cambodia's IP-friendly, government approved international cinema event: CAMBOFEST, year 3 (2009 Edition)

The interference at the 2009 edition took many forms:

1) Hoax classified ads placed on online bulletin boards and forums with CamboFest staff phone #’s listed, presumably in an attempt to harass or tie up phone lines.

2) Hoax classified ads printed in one of the local daily newspapers, announcing the fake 'cancellation' of the event

3) A phony press release sent to publications in Cambodia, Thailand, Hong Kong, and Japan announcing the fake 'cancellation' of this year’s CamboFest, a Cambodian government-approved project – and currently, still Cambodia’s only currently functioning international film event

4) The usual spying and backbiting that occurs within art scenes around the world - Cambodia/Phnom Penh being no exception. These qualities may be aggravated in Cambodia due to the high concentration of expatriates living in a relatively small area.

5) Physical fighting in the streets of Phnom Penh between CamboFest staff and local foreign (non-Cambodian) movie pirates after the wrap of the event.

CamboFest 2007 venue manager Barry Vis, visiting from Amsterdam in mid January 2009, upon hearing the incredible tales of intrigue which surrounded the 2009 festival, was at first in utter disbelief.

Only when actual copies of emails and text messages were produced could the whole campaign of attempted sabotage be comprehended.

“I thought the foreigners here wanted to develop the cinema industry in Cambodia, not to destroy it”.
(Barry Vis, CamboFest 2007 Venue Manager)


At the urging of movie fans in Cambodia and abroad who want to understand the behind-the-scenes dimensions of producing an independent movie festival in the current Cambodian context, elements of the “CamboFest Story” are herewith presented.

This timeline may be seen as a testament to the challenges involved in working to revive the flagging motion picture industry in one developing county, challenges that were offset in part this year by distinct signs of progress – the revival of a defunct vintage Cambodian cinema house, for instance, during our most recent edition.

As might be seen in the following reconstruction of events, the most notable (and unexpected) challenges in producing the Cambodian government-approved 2009 event stemmed not from corruption in the Cambodian government, or lack of motion picture industry infrastructure, but from concerted, coordinated attempts at undermining the event, carried out by foreigners living in Cambodia.

These incidents, while obviously not helpful, did not derail or stop this year’s CamboFest. To the contrary, the incidents are noted and “held aloft” – like shrunken, trophy heads - as enduring mementos from Cambodia’s international independent movie festival, CamboFest.

“It’s a compliment to the festival – some foreigners in Cambodia wanted to bring it down. They threw everything they had at it, but it still went on as planned. And it was a remarkable event”
(CamboFest 2007 Venue Manager Barry Vis)

For those movie fans who didn’t attend the CamboFest 2009 event due to the phony classified ads or other misinformation (see below) – our apologies, we wish you could have been there with the rest of us!

Mr. Phun Sokunthearith (aka, Mr. Tol)
Suong Sambath

J Rosette
Mr. Narith Hoo
All our volunteers...and the rest of The CamboFest Team



WINNERS OF CAMBOFEST 2009

Feature Documentary - ‘Agent Orange: 30 Years Later’ Dir., John Trinh
Feature Fiction - ‘Sky in December’ Dir., Hiroshi Toda
Short Documentary - ‘Schritt fur Schritt’ Dir., Vojtech Pokorny
Short Fiction - ‘Surprise!’ Dir., Fabrice Maruca
Local Cambodian Showcase - ‘Shadow of Darkness’ Dir., Yvon Hem
Universal Language - ‘Mime vs. Junkie’ Dir., Olesia Shewchuk
Social Issue Movie - ‘Meltdown in Tibet’ Dir., Michael Buckley
Very Short Movie - ‘LoopLoop’ Dir., Patrick Bergeron
Animation (Int’l) - ‘INK’ Dir., Justine Wallace
Animation (Local) - ‘Mosquito in Dreaming’ Dir., Phanith Norm

JULY 29, 2009

Gearing up for our 3rd season, and busy with teaching work, while also simultaneously chipping away at my coursework in the graduate program of development studies at Royal University of Phnom Penh, I receive the following (initially promising) inquiry through the email form on the CamboFest website:

Your Name: Allan Cheung


Your Email: allan_goldenaxxxx@yahoo.com



My Inquiry is Regarding: Sponsoring CamboFest


Subject: Cambofest 2009


Message:
Intend to discuss more significant and 
long term co-operation/sponsorship of CAMBOFEST.

 My H/P : 011-47 99 03

I call the contact number provided, and speak to a Mr. Allan Cheung from Hong Kong. He states that he’s very interested in sponsoring CamboFest and would urgently like to meet to discuss.

I tell him I’d be happy to meet soon – how about tomorrow, since it’s now getting late? But Allan insists on meeting right away. Although I am busy (not just with CamboFest, but with studies at Royal University of Phnom Penh and other work as well), I agree to meet him at the local Java CafĂ© at 9PM.

Allan appears with a colleague; he and I talk about a few things. I mention the issue of the sponsorship. He sidesteps the question, instead asking about various operational aspects of CamboFest.

“Do you get permission from the government?”
“When we need to.”
“What’s your budget?”
“That’s confidential”.
“No but really, what’s your budget?”
“As I said…it’s confidential.”

Allan probes a bit more; finally I say to him:

“You know, no one’s getting rich from movie festivals. But if you’re interested in finding out what it’s like, you should start one.”

“No, no”
“No really, you should try it, the more the merrier.”
“No, no…”

The discussion continues without any further mention of sponsorship. It’s getting late, and I have a lot to do.

I depart empty handed.

Well, not completely: the gentleman from Hong Kong pays for my iced tea…!!

JULY 30, 2009

The next day, at the post office checking the box for movies sent to CamboFest, I run into local movie buff Mariam Arthur. I first met Mariam when she was working as an assistant at the 2005 Bangkok Film Market.

I’d attended the BFM with my Cambodian colleague and associate producer at the time, Chan Norn; we’d set up a booth at the market, as the first Cambodian based group (Camerado) ever to be represented. We placed flyers and maps of Cambodia, and screened several videos, in the hopes of promoting Cambodia as a desirable location to undertake international productions.

Shortly after our meeting at the BFM, Mariam had herself decided to head out to Cambodia to stay permanently, and to try to help develop the movie industry there.

When I ran into her that day outside the Post office, she had just come back from a recent trip abroad; she was back in Phnom Penh working to launch a mobile phone movie distribution initiative.

She was also in need of a gig, due to the recent expenses incurred in her trip. I mentioned that I’d put her in touch with a job teaching at Pannasastra University, where I’d just been hired to teach a couple journalism courses.

Then, I mention to her that I ran into Allan, the wispy guy from Hong Kong.

She says, “I know Allan. Did he tell you he’s planning a film festival with the Cambodian Film Commission?”

That was odd – I’d specifically asked Allan if he had been interested in starting a film festival, and I'd actually encouraged the notion…but he’d twice insisted he had no such plan.

“Ah, no actually, didn’t know that. I mentioned to him he might want to start a film festival, but he said he had no plans to do that.”

Thus occurred the first minor bit of intrigue with the 2009 edition of CamboFest (falling into the “snooping/spying” category).

It wasted a bit of time, and it was annoying, but it was apparently harmless.

NOVEMBER 23, 2009

Hello XXX -

We are CAMBOFEST: Film and Video Festival of Cambodia.
We'll be holding our movie festival in Kampot this year from December 4-6, and we'd be able to offer your group a space to make an announcement or equivalent at our festival, in order to promote awareness about your activities. (pro bono)

If you are interested, pls contact us by email at info@cambofest.com


All the Best,


JR CFEST


Date: Mon, 23 Nov 2009 20:15:25 +0700 [11/23/2009 07:15:25 AM CST]
From: xxx

To: The CamboFest Team

Subject: Re: Hello xxx from CAMBOFEST

Headers: Show All Headers


Thanks for thining of us, but we have some rather large projects going on in PP at that
time and wont be able to participate this year. We are really disappointed that our dates clash I wish you the very best with your programme.

Rivalries and territorial behavior in the art scene in Cambodia can lead to conflicts, or "clashing"

NOVEMBER 26, 2009

It’s the leadup to CamboFest 2009. A lot of prep work is still at hand as we wrangle venues, locate and build gear, train staff, and do other preparations.

Although we had set our dates over a year ago, and had originally intended to hold the festival in Phnom Penh, we’ve changed locations due to the unexpected discovery of a vintage cinema house in Kampot that would provide some great magic for our 3rd edition.

The new location: the 'Royal', a popular local landmark in its heydey in the 1960’s, which sputtered to a halt during the Lon Nol regime, and then fell into the into the abyss during the Pol Pot era.


The 'Royal' in Kampot, Cambodia: built in the 1950's, it enjoyed its heydey in the 1960's. The movie house was shuttered during the Khmer Rouge era, minus roof and one wall (destroyed during the war). The 'Royal' briefly re-opened from 1985-1988, but was shuttered again until its revival for the 2009 Edition of CamboFest

** Our goal this year: to bring the old cinema house back to life **

Few local foreigners know about the ‘Royal’: we only just stumbled upon it accidentally while scoping out other vintage cinema houses in the area.

No other foreigner I’d talked to knew of the existence of the ‘Royal’, at least none that I had talked with in Phnom Penh or Kampot - not even long time expats. (Of course, local Cambodians in Kampot knew it well…)

Most Barangs, even including some longtime Kampot residents, assume our intended venue to be the larger, more decrepit (on the inside) vintage cinema house, the 'Makara', on Kampot’s main street. (Even the Phnom Penh Post publishes a photo of the 'Makara' in one of their issues, believing it to be the 'Royal').

I’m now busy running around the ricefields and outskirts of Kampot, sometimes with my trusty staffers Narith Hoo or Phun Sokuntearith (aka ‘Mr. Tol’), sometimes on my own. I find myself haggling and dealing with pleasant but corrupt local Sangkat officials, speaking in Khmer as best I can, while handing out a little under-the-table payola as needed.

After living in Cambodia for nearly 5 years, I can speak fairly well, but not fluently, so it’s still a bit of a challenge for me to deal with these guys when I need to on my own –

But I have no choice: the show must go on. I’ve got a commitment to the participating filmmakers and my Cambodian colleagues and staff, and a strong desire to help develop the movie industry in my adopted home country - or, the country that 'adopted' me.

It’s tough, puzzling work though. No one knows anything, not even folks in the local government. We hire one local motodop to take us to the Sangkat office, but he soon gets lost, vanishing down a dusty trail which leads to Kampot’s 'Tit Mountain'*

(*our nickname, not Cambodian translation)

We still can’t find a couple of the crucial Sangkat offices. One of them is vaguely said to be somewhere out on the edge of town beyond one of the ricefields, but that’s all we have to go on.

We call the inscrutable Kampot Culture Department to get directions; they inform us they don’t actually know where it is - but that we should “go left”.

CamboFest staffer Narith Hoo (who will later helm our custom made CamboFest loudspeaker-moto promotional efforts during the festival) and I set out to find it. After many dead ends, we arrive at last at a small wooden house with a Cambodian flag on the far side of a local ricefield: the missing Sangkat office!

It’s closed til 2 or 2:30, so we rest a bit. We’re tired but satisfied that we almost have the final stamp we need.

The rice looks great – it’s luscious, green, and cool. The whole field rustles and waves to us.

NOVEMBER 27, 2009

The first of a series of coordinated efforts to harass the festival appear about a week before the actual event. Hoax classified ads are placed by prankster third parties on the local BongThom.com wesite, a Cambodia-based online forum and bulletin board where users can advertise items for sale, make job and events announcements, and conduct and pursue other services.

It's a handy website, and I've used it plenty of times myself to promote CamboFest locally.

Callers ring and send me text messages asking about iPods, cars, and other 'Phantom items' I have for sale. Inquiries much later with helpful Krawma general manager Ken White, owner of the BT website, indicate that – with the sheer number of new ads normally coming in and bumping out the old – a new ad would only stay “fresh” a number of hours.

Therefore, some dedicated misanthrope(s) were actually sitting there, nothing better to do than to post a continuous stream of fake ads to try to harass CamboFest.

8:17 AM - Someone from phone #85515832XXX text messages to inquire:

“Hi sir, I saw ur advertising for sell iPhon, iPhone 3G or 2G? How is the capacity? Thanks”

Others call inquiring about other phantom items “for sale”, with my own phone numbers listed as the contact – the intention apparently being to tie up and harass our phone lines.

I call BongThom.com and kindly ask them to remove any ads with my number listed…the Cambodian staff say they will try to handle.

On the plus side: some positive coverage of CamboFest appears in the Phnom Penh Post “7Days” lifestyle section that day as well. The article is entitled Kampot rolls out the red carpet, by freelance reporter Dianne Janes. (It will be the only story coverage of CamboFest to appear in any of the local newspapers from that point on.)

The article is truncated somewhat from my original responses to Dianne’s email interview questions. My responses regarding the actual, factually true dysfunctional state of the movie industry in Cambodia (with which later BBC coverage concurs) do not appear in the final interview.

This is not surprising; the overall trend to date by most (foreign) journalists, lifestyle writers, and “what’s happening in Cambodia” websites and guidebooks is to maintain a notion that that the movie industry in Cambodia is robust, is alive and well, is “making a comeback”.

The fact is: the film industry in Cambodia is currently not viable for a variety of structural reasons. This is not just my position, it’s also the position of numerous Cambodian producers I’ve spoken with as well – legendary Cambodian filmmaker Yvon Hem states as much in a recent interview.

Piracy, against which CamboFest has consistently taken an activist stand – to the point that the fest and its founder have taken a lot of heat in the expat “art scene” in Cambodia where pirate screenings are the majority*– is the number one killer of the movie industry here.

====================================>>>

[ update 2/03/10: after writing the original version of this story, I (the author / CamboFest founder Jason Rosette) have decided that I no longer actually care about the IP/piracy issue, at least here in Cambodia, to a degree that I'm inclined to be significantly activist about it any longer.

The Cambodian government doesn't care; the WTO and other int'l media IP agencies, such as the MPAA don't care; most folks living in Cambodia don't care; and so, outside of our own festival and media efforts, I no longer care either...!

While I personally won't run a festival or other media platform without securing rights from media producers, and while I disagree with others who don't secure rights and operate in a bona-fide way, I'm not interested in propagating any more activism in an area that should rightfully be the responsibility of IP media agencies and the Cambodian government.]

Ahem - and Amen. The original article continues below:

====================================>>>

(*occurring either in a direct, commercial way, as with The Flicks moviehouse, which openly charges an admission for IP-bogus screenings; or in an indirect commercial way, such as at Metahouse art center in Phnom Penh - not charging an admission, but selling concessions to generate revenue, while also deriving "value" via an enhanced profile in the unsuspecting international and domestic art communities.)

One of the main goals of CamboFest is to attempt to introduce some normalcy to the Cambodian industry here by producing an “actual movie festival”, an event which gains the permission of all participating filmmakers, producers, or authorized copyright reps, i.e., distributors.

This is standard in the international film festival world, but is actually considered to be an oddity in Cambodia and in the Barang/expat enclave of Phnom Penh. As mentioned, the great proportion of venues in Cambodia
are not always (or often) diligent in this area.

Basically, few folks bother gaining the rights to screen movies, or to even simply ask the filmmaker/producer, who would often agree to a reduced rate or pro-bono screening in Cambodia, understanding that the territory is probably not able to pay full price for film rentals.

Why don't they ask? Because it's a hassle: it's easier to screen it without asking or securing permissions. "No one knows and no one cares". "This is Cambodia".

Anyone who is activist or speaks out against it - like CamboFest - takes heat as a result.

(Lest guests in Cambodia complain about not being able to watch movies on the big screen otherwise, use the following approach: gather some friends, set up as big a screen as you want, and screen a movie – that’s fine, it’s considered “home use”. What’s problematic is when a movie title is publicly advertised in an organized way as an attraction in order to generate profit from it either at the door or by selling food or drinks/concessions - or to attract grant money from unsuspecting donors.)

An understanding of the mechanics of a properly functioning motion picture industry is generally lacking in Cambodia: some educational interventions could be useful to raise awareness in this area.

Basically, the product (the movie) costs money to produce and therefore must recoup its expenses via exhibition or sales of units, ie, DVDs or VCDs. If the product is being copied or otherwise sold (i.e., through bogus exhibition or institutionalized replication of a DVD or VCD), then the producers can’t recoup their costs – and they won’t produce more product.

As a corollary, when piracy is as rampant as it is in Cambodia – whether through replication and sale of DVDs/VCDs, illegal broadcasts, or through bogus overt commerical IP-abuse (better known as "piracy") by foreign-run exhibition venues, the motion picture industry centers outside of Cambodia look towards this minor territory, weigh the apparently significant risks of operating here versus the potential (modest) revenues, and hesitate to invest or even to allow normal licensing of their first-run titles.

And so the cycle continues…

Many guests in Cambodia observe the increasing number of venues and screens and “movie events”, especially in Phnom Penh, and proceed to equate that perception with the establishment of a bonafide cinema "industry” - not knowing (or bothering to know) that the great bulk of exhibition here is bogus, and so that the existence of a real movie industry is a mirage.

Ironically, various government agencies, cultural institutions, and foundations, in seeking venues to conduct their programs in Phnom Penh, will look the other way even when their venue of choice is commonly involved in bogus exhibition: it's a matter of geopolitical expediency.

Many journalists, who might otherwise serve a useful purpose of investigating and highlighting the issue, tend to whitewash or ignore it (for whatever reasons). As a case in point: the Phnom Penh Post hailed the opening of Phnom Penh's first openly commercial, IP-abusing venue, The Flicks , providing significant coverage upon its launch. The actual effect of such coverage is to undermine – to whatever degree - the efforts of legitimate cinema practitioners in Cambodia and the emergence of a legitimate movie industry.

But my own experiences in producing CamboFest over the past three years have led me to conclude that standard industry models, when applied in the Cambodian context, may not prove to be workable here for a number of years* to come. [5 -10+ years]

Differing perspectives on rights issues in motion picture exhibition in Cambodia can lead to conflict; CamboFest founder Jason Rosette fights to ward off IP-abusing rivals

Anyway, back to the story: while I’m in Kampot, hustling to get all the permissions for the festival, Post Reporter Dianne Janes requests a screener for one of the movies selected to play on Day 3. (“In Transit” by Leigh Rodgers).

I tell Diane that I’m not in Phnom Penh now, that had to head back to Kampot to deal with the permissions again unexpectedly, but I’ll get her something to look at when I get back to Phnom Penh.

Soon after, I get a text about one of the BongThom.com ads. Someone’s asking if “my car is still for sale”.

I respond that there is no car – somebody’s placing the ad as a joke or prank.

I ask who it is. The reply: “It’s “DJ Devi Vanhon from Love FM”, (a local Phnom Penh English language radio station) and she adds:

“Have a safe trip home”.

I thought that was a bit strange. The only person I’d spoken with – the only person who knew I was in Kampot - was Phnom Penh Post freelance reporter Dianne Janes.

I reply to the DJ:

“I am home” - (I feel at home in Kampot as much as I do in Phnom Penh)

A few more calls come in about different items for sale, but it’s nothing more than a minor hassle at this point.

I even begin texting callers back:

“We will be displaying all the items for sale at CAMBOFEST, December 4-6 see www.cambofest.com for info!”

NOVEMBER 27, 2009, Cont.



That same day, in the ‘7 Days” section, the first of two hoax classified ads appears in the Phnom Penh Post. This first ad is relatively harmless: a fake ad for a Honda Dream (motorcycle), with a too-good-to-be-true offer of $550 and an apparently urgent need to sell.

As with the BongThom.com ads, my phone number* is listed as a contact, in an apparent attempt to tie up our phone lines. (*I find out later that both of my only two phone numbers are listed – so there’s no chance that it’s a random typo).

At this point it seems like someone with too much time on their hands are undertaking some kind of prank routine - not sure why at this point, because so far the hoaxes are just minor irritations, with no real "message", apparent purpose, or effect on operations.

I send an email inquiry to the Post’s business manager, Stephane Davos:

J Rosette
Fri, Nov 27, 2009 at 1:53 PM


Someones apparently placed an ad in the Post's 7 days section with my
phone # listed (011 736 206); though not terribly troubling, it's either a typo or a prank, because I placed no such ad

Can you pls look into this? It's a bit distracting, though I'm
flattered folks think I have the means to possess so many items for sale...

I think the ad is for a Honda Dream - not sure maybe some other items.

Can you pls also tell me who placed this ad, I'd like to drop them a line to discuss ;)

Thanks,
Jason Rosette # 011 736 206

Add star


Stephane Devos

Fri, Nov 27, 2009 at 2:09 PM
Reply | Reply to all | Forward | Print | Delete | Show original

Hi Jason, Sorry for the mishap. It will probably be a typo. I don't see how this person would sell his stuff otherwise. I'll have someone look into it.

Thanks for your understanding.


Stephane Devos


Business Development Manager

I also send an SMS to the editor of the Post, Seth Meixner, asking him what’s up with the ad.

At 1:53PM he texts back:

“which page?”

Idea: when we get back to Phnom Penh, we’ll buy some walkie talkies. We'll use the radios to bypass any problems from the stream of phone calls coming in due to the hoax ads.

NOVEMBER 29, 2009

SMS text message from Seth Meixner, Phnom Penh Post re: the first hoax classified that had been placed

“I’m chking w/ the ad people tomorrow”

NOVEMBER 30, 2009

SMS from Seth Meixner, Phnom Penh Post:

“I’ve chked about the ad and was told it was removed.”

Back in Phnom Penh, and too busy making final preparations for the festival to inquire further into what had been going on at BongThom.com or the Post.

We've go all our permissions now from the Kampot authorities...all the running around has finally paid off:


CamboFest 2009 has complete permission from the Kampot authorities

We acquire a set of walkie-talkies as the best workaround in order to circumvent the hoax ads.

DECEMBER 1, 2009



Despite earlier outreach to the Post's Stephane Davos regarding the first hoax classified that appeared in their classified section, a new, second hoax ad headed “CamboFest cancelled” appears.

This ad is more problematic than the first ad for the 'phantom' Honda Dream, for obvious reasons. It’s hard to argue that the appearance of this ad in “Cambodia’s newspaper of Record” can be beneficial, even if its negative impacts are debatable.

Even though the ad is placed in the events classified section, a significant number readers in Phnom Penh (as I’d find out later) take it to be the truth, or are at least confused by its appearance.


Fortunately, a large audience demographic in Kampot, Kep, and the South Coast doesn’t read the Post. They are travelers and tourists, generally not following the daily news in Cambodia, and are also fundamentally not involved in any of the rivalries or hostilities that may be found in the expat community in Cambodia.

The hoax ads are both written by, and presumably placed by, a long-term foreigner (expat), definitely not a native Cambodian.

I wondered which was more disturbing: that someone had actually found personal value in devoting the time and effort to write and place the ads in the first place; or that the ads had made it through the Post’s editorial gauntlet, assuming that such a gauntlet existed.

While there is the argument that a newspaper can’t be expected to effectively vet or screen every single classified ad, we weren’t talking about an innocuous typographical error in this instance - i.e., an 8 gig iPod that should have been listed as a 16Gig iPod.

The ad is referring to Cambodia’s only (at the time, at least) functioning international movie festival, already in its 3rd year. As of December 1st, 2009, there were at least ten newspapers in Cambodia, and many more magazines - but only one international film festival.

Sure, we’re underfunded and grass-roots - and actually not able to afford a red carpet so far - but we’re well known domestically and internationally, having hosted the work of over two hundred filmmakers. And now we're striving to undertake a historical and symbolic event in Cambodian cinema by reviving the defunct Kampot cinema house, the ‘Royal’, even if we sustain a financial loss (which is likely).

I wondered if the Post or the hoaxster(s) were aware of the impact the ad may have on the livelihoods of our Cambodian colleagues who were helping to produce the festival…I thought back again to all the recent press about the state of the cinema industry in Cambodia, with many foreigners and journalists bemoaning its decline, and yearning for its return.

Yet, here were foreigners – living in Cambodia, as guests of the Cambodian government – making concerted attempts to thwart one of the few valid efforts to bring a viable motion picture industry back to Cambodia.

All the rhetoric had gone out the window...

Would the Post have permitted the printing of a hoax classified ad announcing the ‘cancellation’ of the local, French-run PhotoPhnomPenh
festival – an event which had already cited by some to be “clashing” with CamboFest?

Anyway, I heard about the fake ad from a colleague. I contacted the Post’s editor, Seth Meixner to see what was up with this new, second hoax ad to be printed in just a few days. Seth said they’d make a correction. I assumed, as per normal journalistic standards and all reasonable expectation that the correction would be made the next day.

I contacted the public affairs officer at the US Embassy, the embassy being one of several supporters of CamboFest 2009 (as well as the 2008 edition) and mentioned the situation to him.
He agreed the ad should be corrected as soon as possible, and said he'd also talk to Seth in person later that day.

While I wasn’t thrilled with the ad being placed in the first place, I was satisfied in knowing that adequate damage control would occur as a result of a quick correction. I'd considered actually buying a small ad in the Post to make the correction myself (since a pro-bono ad wasn't forthcoming, which would have been appreciated). But our budget was already strained...we still had to pay for rooms in Kampot for all the visiting filmmakers, for example.

I decided to rely on the Post making a prompt correction*, and went back to focusing on the task at hand: the development of the movie industry in Cambodia, via CamboFest edition 3.0.

(*As we'd find out later...this didn't quite happen as planned)

We’d continue plowing ahead, despite the interference from these foreigners who – like malicious elves - were busy at work to try to thwart the event.


CamboFest staff after the second hoax ad appears in the Post; the situation calls for robust countermeasures.

Dianne Janes
Tue, Dec 1, 2009 at 4:36 PM

To: xxxx@gmail.com

Reply | Reply to all | Forward | Print | Delete | Show original

Hi Jason, I saw the ad in today's Post - is it true Cambofest is cancelled? What happened?

Dianne Janes
Film Writer
Phnom Penh Post

J Rosette
Tue, Dec 1, 2009 at 8:30 PM

Reply-To: xxxx@gmail.com

To: Dianne Janes
Reply | Reply to all | Forward | Print | Delete | Show original


Hmm...heard about this bad prank. Dianne, do you really think that,
after working on this fest for three seasons, and prepping a long time for this event, that we'd announce its cancellation in a free ad in the Post?

Why not actually investigate what's really going on behind the scenes
here, in terms of Cambodia's transition to a normal media environment - with eventual real movie theaters, etc - given that resistances* like these are flying around in an attempt to discredit or diminish Cambodia's only currently functioning movie festival?

Could be a great investigative report - if you're willing to take that on!


Have addressed this via various channels, no worries, CFEST still on
(of course)!

G'luck,
Jason

[* by 'resistances', I'm referring to the concept of resistances in the media environment, an idea proposed by Arvind Singhal and Everett Rogers in their groundbreaking work, "A Theoretical Agenda for Entertainment-Education", cited in my report for RUPP ]


It is generally agreed around Phnom Penh that the Phnom Penh Post tends to cover the more sensational stories happening in Cambodia, while its competitor, the Cambodia Daily tends to be more tempered in this approach.

It’s interesting, therefore, that the Post hasn’t explored one of the more sensational culture/art stories to happen all year: the attempted sabotage of Cambodia’s only film festival at the hands of malicious foreigners - with their own newspaper being used as a device in those efforts.

Hmm...

Tue, Dec 1, 2009 at 8:50 PM
To: xxxx@gmail.com

Reply | Reply to all | Forward | Print | Delete |

Show original
It sounds more like a petty personal vendetta than a resistance movement.

Best of luck with the festival, I'm glad to hear it's still on.


Cheers
Di

But then, at the same time, the Camerado (producer of CamboFest) user account was blocked at the unaffiliated Expat Advisory Service, a local website where event announcements and other forum discussions can be made.

We'd made announcements regarding CamboFest and other activities already on the EAS website many times; and while it wasn't the only forum-based website of its kind in Cambodia, it was a handy resource.

Expat Advisory Services
Bookmark and Share
The username camerado has not been activated or is blocked.


I send an email to the proprietor, Anthony Galloway – but receive no response.

It’s a notable item, since the EAS is a moderated system. Unlike the Bongthom.com or Phnom Penh Post classified ads, which enable public participation (no matter how maligned), being blocked from the EAS website is only something that can happen 1) if the EAS site had been hacked, or 2) if it had been done from the inside, for whatever reason

In any case, two strong local web resources remain friendly for CamboFest's continued promotion within Cambodia: the Khmer 440 website and the Cambodia Parents Group at Yahoo - arguably occupying opposite ends of the Cambodian "wholesomeness" spectrum, yet united at least by their non-interference with CamboFest.

DECEMBER 2, 2009

It’s the day before the launch of CamboFest 2009, and we're finally on our way to Kampot.

Suong Sambath is at the wheel, while I ride shotgun. CamboFest staffers Mr. Tol and Narith Hoo are as excited as I am to be finally heading down for our 3rd annual festival.

We've got all our gear: the generator, equipment, custom-made screen and frame (specially designed to fit the 'Royal'), large venue projector on loan courtesy of the US Embassy, expendables…bags of clothes, various AV and electrical gear...even a visiting filmmaker (Ilya Batuev - "Guided by Spirit").

We’re on our way at last, despite all the challenges in getting this far: from the open call for film submissions over a year ago, to the hunt for the Sangkat offices in the ricefields of Kampot…from the fortuitous discovery of the ‘Royal’, to the selection of the final program from the mad heap of movie submissions…from the notification of participating filmmakers, to the preparation of programs.

So I’m telling Ilya about the strange goings-on surrounding this year’s CamboFest: I can tell he finds most of it hard to believe.

We’re just outside Takeo when I get a call from Christi Hang, a culture/arts reporter at the Cambodia Daily.

“Hi is this CamboFest?”
“Yea, hi”
“This is Christi Hang from the Cambodia Daily, I’m just calling to see why CamboFest was cancelled this year”

“Huh?”
'We received your email announcing the cancellation of the festival"

I’d only just been telling Ilya about all the weird interference that’d been going on with the festival this time round – so I kind of smiled and winked at him before telling Christi:

“Uh, it’s not cancelled. That’s probably another prank, we’ve been getting quite a few of them. We’re actually heading down to Kampot right now. I've got a filmmaker in the van, Illya Batuev. Would you like to talk to him?”

“Sure”.

I handed Ilya the phone. He spoke with Christi for a while. Of course she soon realized that the “press release” had indeed been another hoax.

I asked Christi to forward me a copy of the email when she had a chance. She said she would (and she did).




Hoax email sent to the Cambodia Daily and others; examination of the email headers later reveals a fairly sophisticated Phishing attack, with the the email 'laundered' through the IP address of a dedicated spamming host.

I thanked Christi for the diligent followup, which prevented this instance of misinformation from being publicly printed - and we continued on our way to Kampot, to the historic CamboFest 2009 Edition at the 'Royal'.

From: Microsoft Customer Support
To: The CamboFest Team
Subject:
RE: XXX1119185448ID -

Part(s): Download All Attachments (in .zip file)

Headers: Show All Headers

Alternative parts for this section:
unnamed [text/html] 8.53 KB

Thank you for patiently waiting for our response.

This is Dvenz and I am
a Subject Matter Expert from Windows Live Hotmail Customer Support. Your message was escalated to me and I would like to assist you with your report on the cambofest@hotmail.com account...

According to Microsoft and the technical data in the email headers on the message, the 'Secret Phisher' has made one critical mistake which may lead to the identification of that guilty party.

Announcement of the identity of the 'Secret Phisher' (if/when determined), will be announced at CamboFest 2010 / 4th Year Edition!

(See Part 2 of the 'CamboFest Story' , TBA, for more info on 'The Secret Phisher' )

DECEMBER 4-6 : CAMBOFEST 2009

Despite the local corruption*, the lack of funding, the lack of cinema infrastructure in Cambodia, the absence of a cinema culture and trained staff (all this because of utter annihilation of the industry during the Khmer Rouge era)…

…despite an overall lack of coverage of Cambodia’s only international film festival (as of the time of this writing) in the local press…despite the hoax classifieds printed in the Phnom Penh Post and the annoying phone calls coming from fake ad listings on Bongthom.com…despite the snooping in the art scene and the “clashing of dates” with the other event taking place far away in Phnom Penh…

...and of course, despite the persistent, maligned interference from maligned, foreigner non-Cambodians:

CamboFest 2009 kicks off as planned!

CamboFest staff celebrate a successful launch of the 2009 edition, despite all the challenges

(*I would like to point out that the instances of corruption we experienced came from the most local level in Kampot; the Kampot governor’s office neither asked for nor suggested – and nor did we provide - any sort of “fee” whatsoever)

“Loak” cinema, the proprietor of the ‘Royal’ is happy to see us – it’s as if he’s the gatekeeper to the promised land…we made it through the
Scylla and Charybdis of bent foreign intervention, into the land of raw Cambodian cinema power.

As soon as we hit Kampot-dirt, we commence a vigorous, grass-roots, local outreach in Kampot and Kep to scoop in the traveler/tourist demographic which had likely not been impacted by the hoax ad in the Post.

We rent a local moto, and Narith Hoo attaches our mega-loudpeaker to it. We fill Narith’s basket with flyers to hand out , and off he goes, smile beaming on his face, megaphone beckoning to all the prime cinema-goers in Kampot town and srok srei alike: “CamboFest movie festival today at Royal Cinema’: Eggman -style (in English and Khmer).

CamboFest staffer Narith Hoo, and his magnificent grassroots festival promotion machine

Fueled on fried noodles and coconuts (as we all are) Narith refreshes his basket with flyers and posters on a continuous basis…all day long, postering and flyering, Kampot and Kep, handing out flyers to travelers, guests, Cambodians in the rice fields. He passes his flyers to the movie fans who are already filtering towards the South coast and the magic-magnet of the ‘Royal’ cinema.

“Loak” cinema - the owner of the 'Royal' - is happy, beaming. Days later, after the festival wraps, and stunned by its exstacy and hardship, we are all sitting at Kampot’s “Year 2000” restaurant with Da Boyz – all Cambodian, his friends in the army and government and police.

He’s proudly regaling them with tales of his rejuvenated cinema house. His pal with the long fingernail on his pinky finger concurs, nodding sweetly, before paying for all our drinks and heading off in his LEXUS.

Cutting back to the actual CamboFest event: now that the generator is chugging, and the brilliant beam of Uncle Sam’s projector is tossing photons against the furthest wall, and the ‘Royal’ itself is groaning awake from its years-long slumber, our staffer Narith’s eager, boyish expression belies no knowledge of the recent rash of interference propagated by foreign guests in his Kingdom.

Narith knows nothing yet of the persons who have labored to thwart his movie event, his CamboFest, Cambodia’s only functioning international movie festival* (*at the time, at least).

Narith just continues to patiently tend to the generator, to ride his moto-loudspeaker without being hassled by the Man, to hand out invitations to the guests: to play his part in conjuring cinema back to Cambodia.

In between raw cloves of garlic (for health and power, of course), and plenty of smokes, I engage in constant blogging with my puny netbook, undertaking web outreach with one hand,and text messaging festival updates with the other.


Using the latest technology to bypass problems with this year's print media coverage

It’s true that the hoax classified printed in the Phnom Penh Post may have impacted attendance, the question is: how much? While many local expats in Phnom Penh were confused about the status of the festival, travelers and tourists, especially those outside of the expat enclave of Phnom Penh, touring through Kep and Kampot are showing up in increasing numbers.

A convoy of Tuk Tuks arrive in front of the ‘Royal’. I almost forgot they were coming - it’s the group of university students who’ve come out all the way to Kampot from Ho Chi MInh City.


They all look clean, neat, fabulous, squeaky…the young women are well-styled and gorgeous.

They all have large new cameras around their necks; they chatter excitedly and snap pictures of the ‘Royal’s old façade, before heading inside to catch the next movie session.

Meanwhile, the gear is working remarkably well. The custom screen we built for the ‘Royal’ is perfect, nearly seamless despite its three-panel construction. The 7000+ lumens projector – a business-like, dense, 25kg square of media-machine on loan from the US Embassy, unfurls it beam across the old Cambodian cinema house.

The alchemic rectangle shimmers brightly despite ambient midday light which streams in through the ‘Royal’s broken roof...


The ‘Royal’: who sat here and watched back in 1966, before the region fell into the crucible of War? I have no time to think it: I’m Kurz’s boiler-keeper, tending only to the ship with no time to greet them (til later, at least, til now)

CamboFest staff are still using radios to communicate, but by now the hoax ads, announcing the Phantom items for sale, are tapering away now that the show has begun.

DECEMBER 6, 2009

Seth Meixner, editor of the Post, confirms by SMS message that a correction of the 2nd hoax ad (‘Cambofest cancelled’) was indeed printed.

On our side, we all assume that the correction had been placed the next day…we’re all too busy wrapping Day 3 to think about it much more.

DECEMBER 6, 2009, Cont.

CamboFest 2009 wraps! – after the final show and the Cooling of the Great Bulb, we all head to Kampot's “Bushmeat Restaurant” (unnamed Cambodian grilled beef joint). I insist that Narith Hoo - CamboFest staffer, motodop, colleague and friend of mine, who speaks no English, yet understands everything when I speak my mixed Khmer – must come to the bushmeat restaurant to be regaled as a hero.

He is the nuts and bolts of the festival, the gristle, the marrow, the real ‘srok srei’ Cambodian.

We eat and drink and smoke: filmmaker James Speck is there, various travelers, Chuunly Puy (winner of the 2007 CamboFest Golden Buffalo) ‘Simongoloid’ Toffanello (Phnom Penh photographer)…and the exhausted, but flushed, CamboFest staff.

I’m tired, zonked. I can only think of watching Mega Fish on NatGeo back at the Little Garden guesthouse, and falling into the arms of Sleep (Brother of Death...)

DECEMBER 7, 2009

Originally planned as our awards day, but we don’t have enough time to tabulate the audience choice ballots. We’re all toasted from the effort of producing the event. Instead, we go to Kep and wallow in the sea at Crown o’clock and enjoy a seafood lunch - we head back to Phnom Penh in the mid afternoon.

I can see, along the sunset roads of Kampon Trach, the vast fold of fields and accompanying, unknown mounds of the Cambodian countryside. Mr. Sambath is stoic at his wheel, while Mr. Tol shares some kind of Japanese peanut snack with us all.

And Narith, skinny and tough as a bamboo stalk, ever smiling, smiles as placidly as Lord Buddha himself:

I know that every kid who glides by on his bicycle is riding with us.

DECEMBER 8, 2009 – After a day off to sleep after wrapping this year's CamboFest, I need to shift gears immediately to write the final draft of my Masters report for Royal University of Phnom Penh, an effort that had actually been ongoing throughout the production of CamboFest itself with whatever scraps of time I could find between managing and damage-controlling the event.

I'm curious to look into all the intrigue and interference that happened at this year's CamboFest, to find out more about who was behind it all.

But I won't have time until after I deliver the report on January 1st...

End of the 'CamboFest Story' (Part 1)

Part 2 Coming Soon and Includes:

The 'Investigation' Begins * Hand-to-Hand Battle with Movie Pirates in the Streets of Phnom Penh! * Confronting 'The Wizard' * The 'Secret Phisher'




......or make a secure contribution through our online contribution gateway

Sunday, December 13, 2009

:: Stills, Video, and Other Content from CAMBOFEST 2009 ::



CamboFest pre-show intro video (above) which also
thanks all our sponsors and supporters
- see video

CamboFest was held this year (our 3rd), in the vintage 'Royal' cinema house in Kampot, Cambodia, a pre-Khmer Rouge era Cambodian cinema hall which we brought back to life especially for CamboFest 2009. Not even longtime local foreigners living in Kampot realized that the 'Royal' had once been a cinema house; CamboFest staff stumbled upon it by accident while scouting another vintage venue nearby.

Photos from our pro photographer are now viewable below, along with stills and video taken by staff and volunteers - contact info@cambofest.com with any inquiries re: reprinting and other uses.

Scores have been tabulated for winners of Grabay Meas ('Golden Buffalo') awards - we will announce the winners, via video,

here on the top of this blog on

Sunday, December 20,

with the clip (below) going live around 8PM Cambodia Time.



CF2009




CamboFest 2009 winners announcement brought to you by:


(in case of 'technical difficulties' - see stories of intrigue and adventure further down in this blog, below - backup URLs are as follows)

CAMBOFEST Website -> http://www.cambofest.com

CAMBOFEST BLOG -> http://cambofest.blogspot.com/2009/12/initial-pix-content-from-cambofest-2009.html
CAMERADO BLOG -> http://bloggeradocamerado.blogspot.com/2009/12/stills-video-and-other-content-from.html
BACKUP BLOG - > http://cambofest2009.blogspot.com/2009/12/stills-video-and-other-content-from.html

Stills in the series below by top Phnom Penh photographer,

Simon Toffanello of Monsoon Pictures

To cross-reference movie stills against schedule and description, pls see the PDF of schedule and lineup here (pls note that schedule changed at the end of the last day due to technical reasons regarding "All that She Wants', with 'Hill City' and 'SlipDream' filling in)

From 'Slipdream', a CamboFest 2007 favorite, which played as a "Best of CamboFest" selection (screening out of competition due to schedule change)







From 'Hill City' screening as a short before 'SlipDream'

(also screening out of competition due to last minute schedule change)

Filmmaker John Trinh ('Agent Orange: 30 Years later'), in town for his screening at CamboFest

From 'Death in Charge'



From 'Schritt fur Schritt'

From 'Sky in December'



From 'Survive'

Staffer Narith Hoo engaging in Cambodian-style promotion: with leaflets and loudspeaker (see 'Behind the Scenes' video, elsewhere on this blog, to watch him in action)











Tomas, editor of 'Schritt for Schritt' (left) delivering a package of info regarding short German films to CamboFest founder Jason Rosette (right)


(End of Monsoon Pictures Series; this has been a selection, there are several additional stills of each screening taken by top Phnom Penh photographer, Simon Toffanello- pls contact info@cambofest.com for hi-rez stills and other uses)


Additional stills and behind the scenes coverage from CAMBOFEST staff and volunteers:



(...contrary to some local rumors which were flying around, we obtained all permissions well in advance from various local Sangkat offices and the Kampot authorities - above)






Take a look behind the scenes at CAMBOFEST 2009 (video, above)




Visiting UK/Taiwan based filmmaker Leigh Rodgers ("In Transit") talks about his film and his experiences at CamboFest 2009









Filmmaker Ilya Batuev ('Guided by Spirit') en route with us from Phnom Penh to Kampot

Climbing the rafters of the old 'Royal' cinema to set up the screen

Setting up the screen, custom made to fit the 'Royal' (but suitable for other venues - contact CamboFest at info@cambofest.com for local rental inquiries) - lack of rental houses and equipment infrastructure makes improvisation an essential part of CamboFest





Ambient light situation due to 'Royal's' damaged roof necessitated the use of this 7000 + lumen projector, courtesy the US Embassy in Phnom Penh.

Testing the gear with a live audience...





Suong Sambath (left) and Mr. Tol (right) - essential staff who learned on the job in current and previous editions of CamboFest



Mr. Tol sets up an info booth at a nearby Guesthouse...



CamboFest 2007 Grabay Meas award winner, Harri Anenden, (' The Cathedral') in town
all the way from Mauritius



Hanging out at a Cambodian roast-beef restaurant after the show -
visiting filmmaker James Speck is at the left

*** BOGUS Spoofed email, Below ***


...copy of a spoof email (above) sent here in Cambodia in an attempt to disrupt CamboFest 2009! The Cambodia Daily received this and called us to check up on it - thanks to Christi Hang at the Cambodia Daily for diligent followup, which prevented such a story from actually being (wrongfully) printed.

What maligned forces were behind all this interference? The evidence is still coming in, but the rumors are flying; the only other event happening at the time was a local photography festival taking place a long way from Kampot, in Phnom Penh. Until Microsoft comes through with their assessment (sent from bogus "cambofest@hotmail.com" address) , folks can only speculate, but the general consensus is it was the work of foreigners in the local 'art scene' here in Cambodia.

Folks at Microsoft advise us that spoofing and Phishing, such as had taken place here, are
** jailable offences ** for offenders; for the foreign, non-Cambodians who attempted to try to damage the development of Cambodia's motion picture and media sector via this email and other interference...we'll cross that bridge when we get to it (if the Cambodian government doesn't address this issue first)

In any case, the various spoofed emails and prank classified ads did little damage to CamboFest, as can be seen in the content here, and via the historical fact that CamboFest - a grass roots endeavor with an extremely limited budget - did nonetheless successfully resurrect a vintage pre-Khmer Rouge era cinema house, to the benefit of Cambodian civil society, the province of Kampot, and the motion picture industry here.

Visiting guests and filmmakers - now and in the future - should be aware that the local Cambodian authorities, once they approve an event such as CamboFest, will go to significant lengths to ensure that security remains strong.

Celebrating a successful launch of year 3 of CAMBOFEST, Cambodia's only currently functioning annual international movie festival. Note the use of radios, which allowed us to bypass interference caused by 3rd party foreign pranksters. The presumed intention was to tie up our phone lines via fake classified ads placed in local web forums, etc.


Taking a break in between films...

Typical evening audience at Cambofest 2009, sitting on ubiquitous Cambodian-style plastic chairs. Daytime crowds tended to be thinner due to lack of air con and other factors; attendance was also boosted in any case by a large group of Vietnamese university students, visiting from Raffles International college in Ho Chi Minh city (showing up in their army of Tuk Tuks especially for CamboFest)

From 'The Playground'




Unsure of this one...


Filmmaker Leigh Rodgers, visiting from the UK especially for CamboFest 2009, introduces his extremely likeable movie, "In Transit". (See a video with Leigh earlier in this blog)



From 'Netherworld', which drew nearly all curious Cambodian viewers

Various onesheets and support materials sent in by filmmakers...



From 'Sky in December'






Cambodian animator Chuunly Poy, winner of the Grabay Meas award in the 2007 edition of CamboFest, at local roast beef restaurant after the show.

These guests had started travelling in Mongolia, and were only planning to be in Cambodia a few days - but they still stuck around for most of CamboFest! Apparently Narith had gotten to them with his megaphone moto.



Tomas (editor of 'Schritt fur Schritt), left, visiting from Germany to rep his film; Cambodian animator Panith Norm and CamboFest staffer Narith Hoo next to him.


Monsoon Pictures photographer Simon Toffanello and his gal Mum, down from Phnom Penh for the weekend to catch some flicks (and shoot some stills) at CamboFest 2009.

Mr. Tol takes a well-earned nap between shows


Visiting feline creeps across the rafters of the old 'Royal' cinema, and below


From 'Neil Reinu'



From 'Revenge of the Nail'



From 'Milking the Rhino'





Volunteers David (in green), and Koala (in doorway), materialized from nowhere to help throughout the fest


Illya Batuev and local Kampot movie fan after the show

Panith Norm, left, CamboFest's Jason Rosette (center), and Leigh Rodgers (right)

From 'Lumia'; lack of aircon on this day in particular had some impact on the first session show, but diehard fans still came to watch this very unique doc.


Visiting filmmaker John Trinh (left) and CamboFest's J Rosette at a great breakfast and lunch hangout, the "year 2000 restaurant*" (* real name unknown)

Legendary Cambodian filmmaker Yvon Hem's 'Shadow of Darkness brought in a great crossover audience of local Khmer and foreigners; although we charged an admission fee per session, we made things as affordable as we could. Local women seated in the back paid in banannas (which came in handy for busy staff)

From 'Shadow of Darkness'; a quick phone call with the filmmaker before the screening welcomed all guests to this one-of-a-kind movie, one of the first features to be made in Cambodia following the Pol Pot regime.




From 'Survive', filmmaker Roshane Saidnatter's compelling documentary - and the first Cambodian film to be nominated for a 'Best of' award at the annual Asia Pacific Screen Awards (see www.asiapacificscreenawards.com) ; movie was submitted by CamboFest as an organization repping Cambodia with the APSA.


Panith Norm's 'Mosquito in Dreaming' , below




From "Netherworld'



From 'Up and About Again' - the snow-covered car mesmerized local Cambodian viewers



'Massacrator' evoked responses of all kinds...





From 'Urban Knots'

From 'Transylvania Timber'





Filmmaker Roshane Saidnatter, visiting from France for the Cambodian premiere of her striking docu, 'Surviveand , with CamboFest's Jason Rosette



Filmmakers Leigh Rodgers, visiting from Taiwan, and John Trinh on the right, visiting from the USA

S. Korean punk flick, 'Bangham Staion' plays before a welcoming audience - movie was well received, scoring well with the audience during our surveys to determine winners of the Grabay Meas ("Golden Buffalo")

Filmmaker John Trinh (left), Mr. Tol, two moviegoers from South Africa, and filmmaker Ilya Batuev






Update: we're optioning the CamboFest story to a New York City, USA, based publisher about our experiences putting together a film festival out here in the Cambodian context. No title yet, but will include everything: the good, the bad, the ugly, and the whole 3-year adventure in detail. Look out for all the juiciest (and sometimes controversial) bits which took place behind the scenes during the course of this season's CamboFest...

Anyway, hope you enjoyed the blog and feel free to email us at info@cambofest.com with any inquiries.

All the Best,

The CAMBOFEST Team

http://www.cambofest.com

*** Screen, gear, generator, and other hardware which were used at CamboFest 2009 all available for rent - contact info@cambofest.com **

Wednesday, December 09, 2009

CAMBOFEST 2009, Cambodia - Behind the Scenes

A fascinating look behind the scenes at Cambodia's international, independent movie festival, CamboFest (www.cambofest.com).

CamboFest 2009 took place in a vintage Cambodian cinema house, the pre-Khmer Rouge 'Royal' in Kampot, Cambodia which was resurrected especially for the event by CamboFest

CAMBOFEST 2009, Cambodia - Behind the Scenes

A fascinating look behind the scenes at Cambodia's international, independent movie festival, CamboFest (www.cambofest.com).

CamboFest 2009 took place in a vintage Cambodian cinema house, the pre-Khmer Rouge 'Royal' in Kampot, Cambodia which was resurrected especially for the event by CamboFest

Tuesday, December 01, 2009

:: CAMBOFEST 2009: Film & Video Festival of Cambodia 3rd Edition - December 4-6 in Kampot, Cambodia ::

CAMBOFEST: Film and Video Festival of Cambodia - Cambodia's only functioning international movie festival - kicks off its 3rd year on the lovely South coast of Cambodia in Kampot (near Kep and Sihanoukville)

Movies will screen in the vintage, pre-Khmer Rouge era cinema , the 'Royal'

See schedules in English and Khmer here-->

http://www.camerado.com/cambofest_assets/CAMBOFEST_2009.pdf

Find out more info at:

CAMBOFEST
http://www.cambofest.com

Saturday, November 21, 2009

CAMBOFEST, Cambodia 2009 Promo

'Tis the season to make a contribution...to Cambodia's only first international independent movie festival, CamboFest - now in our 3rd year (2009 Edition takes place December 4-6, 2009 * www.cambofest.com)


CAMBOFEST, Cambodia 2009 Promo

'Tis the season to make a contribution...to Cambodia's only functioning international independent movie festival, CamboFest (www.cambofest.com)


Thursday, October 15, 2009

FREEDOM DEAL

Dramatic Feature which takes place in Cambodia in May 1970, during Nixon's attempt to liquidate NVA and Viet Cong sanctuaries.